I was recently questioned about my opinion that the Canon ix9000 and ix9500 were difficult to profile and might not produce as accurate colour as some of the Epson printers. This led me to thinking about why it was that my gut instinct felt that these Canon printers were not as capable. I have for some time questioned the lack of functionality of the Canon drivers, but if the printers are capable of good prints, why would the functionality of the driver matter?
I know for a fact that a couple of years ago I had significant problems profiling a Canon ix9500 for a client. It left me with a bitter memory, but didn’t stop me using or recommending the Canon printers to others since. Then, earlier this year, I recommended the ix9000 to someone and after buying it was told that they were never happy with the colour that it produced. I guess this just compounded my previous experiences.
So this week, I set out to look at the issue from a scientific point of view.
I chose to use an application called PatchTool by BabelColor.
I used the following method for checking the ability of each of the various printer/paper/ink combinations and here are the results.
Epson 7900 (12 colour printer) using Kodak Lustre-E semi gloss paper.


HP Z-3100 using HP Premium Plus Satin Photo Paper Q5491A (thanks to Rene van der Hulst who supplied the Z3100 data)


Canon IP9000mkII with Ilford Galerie Smooth Lustre Duo (Data provided by Ilford UK website)


Canon IP9500mkII with Ilford Galerie Smooth Lustre Duo (Data provided by Ilford UK website)


Conclusion
In respect of the colour accuracy the printers all perform very competently.
However, if you are looking for a printer to cope with saturated colours, or indeed a printer to produce fine art reproduction prints the order of preference would be:
EPSON 7900 – best overall
Canon IP9500mkII – 2nd best overall but suffers in the dark areas
HP Z3100 – 3rd best overall but suffers delivering detailed colour information in the dark areas (similar to the Canon IP9000mkII)
Canon IP9000mkII – best at Blues, suffers significantly in delivering detailed colour information in the dark areas